These two series have a lot in common. Whether it's the overtone, the soundtrack, the voice actors, the focus on visuals, the gritty story, the exestential questions, the style, the characters, etc. If you liked one of these shows you are sure to like the other. Boogiepop Phantom is a tad slower pased but the story is relatively easy to follow thanks to the scene notes. They also take the time out every few episodes to explain connections between characters so you aren't wandering away for too long.
Lain is slow but they keep each episode interesting enough so you are focused, but it doesn't really help explain things till the end. Paranoia Agent is yet another entry into the 'Mindfuck' genera of late night anime shows that Lain pretty much pioneered. While Paranoia agent is quite a bit more humorous with more emphasis on animation than direction (whereas Lain overcomes its lack of animation with direction) both shows feature a fair amount of social critique and are both quite unconventional in their execution. Paranoia Agent may not have quite the same atmosphere as Lain or Boogiepop Phantom and may feel a bit mroe linear to die hard fans of this genera of anime, both films are quite different from the normal anime mold and would appeal to fans of off beat works. Both shows follow the same basic idea. BACKGROUND STAGE:The first episode shows an average situation and quickly present the conflict or chaos that the story is formed around.
CONFUSION STAGE: From then on, all the other stories explain and reinforce the conflict in as many ways as possible carefully avoiding ANY INFORMATION that would lead to you giving reason to what is going on. ANSWER STAGE: Hovever, with the last quarter of the episodes left, they begin to give you bones of information to calm your suspense. And they both end by giving you the answer to your first question and nothing else. And I assure you. You will have more questions. There are two things to take into consideration:. Serial Experiment Lain was made in 1998 and therefore the creators felt less obliged to give any support to the viewer during the confusion stage, which leads to a longer confusing period where you seem to know even less the more you watch.
However its answer stage is longer and muchmore rewarding. Paranoia agent was made in 2004, a time where viewers require more constant stimulation, for this reason the confusion stage is full of more details and sub-stories that compel you to watch the show further.
Sadly, the answer stage is less interesting than Lain and annoyingly insufficient. IN SHORT: Serial Experiment Lain is a more hardcore suspense show than Paranoia Agent. Paranoia Agent and Serial Experiments Lain fall under the 'MindF.' genre, and have very deep, meaningful things to say while using abstract and non-linear methods to say it. While touching on different subjects, they have a similar, highly metaphorical delivery and rely heavily on the viewer to interpret and connect pieces of the story. They also take fantastical creative license with the plot, placing characters in strange and sometimes disturbing situations.
If you enjoyed the mental journey in one of them, you will, at the least, appreciate the other. TV (23 eps). In a futuristic world almost barren of life, mankind is confined to mechanized domed cities where A.I.’s control all aspects of life. In this world, humans are no longer born, they are manufactured in a production line; and alongside them live androids known as autoreivs. Within one of these domed sanctuaries named Romdeau lives Re-l Mayer, one of a few citizens who aren’t entirely prevented from thinking.
Her grandfather's prominent position and the affection of the scientist Daedalus have left her more free will than is normally allowed, but Re-l has started to question the sanctity of the city and the citizens' perfect way of life. With mysterious beings known as proxies causing havoc and a man named Vincent causing great influence on her life, Re-l must travel outside of the city to find the answers she seeks and discover the mystery behind 'the awakening'. Both Ergo and Lain are immensely similar in several ways. They both have deep, complex stories that slowly unwind, often not revealing themselves until the very end; they both tackle complex issues like mans place in the world and 'god's' role for man and vice-vers; and they both deal with female leads who explore their relationships with others but also explore their relationships with the world. Lastly, Ergo Proxy is perhaps more violent than Serial Experiments Lain, but they both exist in the same dark, somber atmosphere. These two are easily two of my favorites. They are both highly psychological (Lain more so, however), which is my favorite aspect.
Serial Experiments Lain Dub
They both have to do with the nature of reality and the reasons people have for existing. They are both very difficult to follow at times, but, if you stick with it, you will undoubtedly love both as much as I did and perhaps look deeper into your own life. A warning, if you want to watch a show only once, half awake, and expect to get everything, don’t watch either.
I often see people giving anime bad ratings simply because they didn’t understand what was going on. It is disappointing, to say the least. Texhnolyze and Serial Experiments lain are both very similar series. Both shows are set in harsh futuristic worlds and excuted with very abstract storytelling.
In addition both shows emphasize technolgy and its relationship with humans. Also both series are late night shows in Japan that were animated on small budgets and rely on direction over animation to convery their similarly gloomy atmospheres. While Texhnolyze is quite a bit more violent, and maybe not as deep as Serial Experiments Lain, I'd recommend both shows to anyone who is into 'Mindfuck' anime in a heartbeat. Like Serial Experiments Lain, Ghost in the Shell explores questions of self-identity and personhood in the context of people being ever more absorbed into a global data network and artifical intelligences becoming ever more complex and person-like. Lain is more intellectual, GITS is more action-oriented, but there's a lot of crossover between the two.
The only reason I can think of that someone who liked Lain would not like GitS is the police procedural/paramilitary setting of GitS, which is about as far from Lain's middle-school life as you can get. Autoinstallante cccam servers. Both of these cyberpunk anime contemplate the implications of ever more powerful and sophisticated technology on the nature of humanity. Ghost in the Shell focuses on artificial intelligence and cyborgs, while Serial Experiments Lain deals with the Internet and communication. Both can also be enjoyed for their presentation alone: Lain has an unparallaled sense of style, an eerie atmosphere and some excellent 'mindfuck', while Ghost in the Shell boasts some of the best music, scenery and action to be found in anime.
Lain and Ghost in the Shell have both a cyberpunk subject. While Lain is more related to the phylosophical aspect GitS is more pragmatic (considering that one is focused on the internet and absence of body while the other deals with the replacement of a human body with a cyborg one). This is why the first one is slow paced and reflective while the second one has more action (even if it has a lot of phylosophical implication too).
Of course the fact that Lain is a series (and not a movie) helped to develop the subject in a different way. I think that if you liked the subject of GitS you will appreciate Lain and, on the other hand, if you liked Lain you will enjoy GitS too. Sniper ghost warrior serial keygen crack.
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Serial Experiments Lain Funimation
Lain's custom computer features holographic displays and liquid carbon dioxide cooling. (and ), and his, and are cited as precursors to the Wired. And his book were originally to be cited as such, and in Lain Cyberia became the name of a nightclub populated with hackers and techno-punk teenagers.
Likewise, the series' lies in the conjunction of the and 's (the authors chose this term over and ). And the are used as examples of how a hoax might still affect history, even after having been exposed as such, by creating sub-cultures.
This links again to Vannevar Bush, the alleged 'brains' of MJ12. Two of the literary references in Lain are quoted through Lain's father: he first logs onto a website with the password 'Think Bule Count One Tow' (' is an story featuring virtual persons projected as real ones in people's minds); and his saying that ' would be good with the tea' in the last episode makes Lain 'perhaps the only cartoon to allude to '. Character design. ABe came up with Lain's hair by imagining Lain cutting it herself and making a ponytail of what was left. This was later included in his Omnipresence in the Wired artbook. Confesses to have never read manga as a child, as it was 'off-limits' in his household. His major influences are 'nature and everything around him'.
Specifically speaking about Lain's character, ABe was inspired by, and. In a broader view, he has been influenced in his style and technique by Japanese artists Chinai-san and Tabuchi-san. The character design of Lain was not ABe's sole responsibility.
Her distinctive left forelock for instance was a demand from Yasuyuki Ueda. The goal was to produce asymmetry to reflect Lain's unstable and disconcerting nature. It was designed as a mystical symbol, as it is supposed to prevent voices and spirits from being heard by the left ear. The bear pajamas she wears were a demand from director Takahiro Kishida. Though bears are a trademark of the Konaka brothers, Chiaki Konaka first opposed the idea. Director Nakamura then explained how the bear motif could be used as a shield for confrontations with her family.
It is a key element of the design of the shy 'real world' Lain ( see 'mental illness' under ). When she first goes to the Cyberia, she wears a bear hat for similar reasons. The pajamas were finally considered as possible by Konaka, in the way they enhance Lain's aspect. ABe's original design was generally more complicated than what finally appeared on screen. As an example, the X-shaped hairclip was to be an interlocking pattern of gold links. The links would open with a snap, or rotate around an axis until the moment the ' X ' became a ' = '. This was not used as there is no scene where Lain takes her hairclip off.
Themes Serial Experiments Lain is not a conventionally linear story, but 'an alternative anime, with modern themes and realization'. Themes range from theological to psychological and are dealt with in a number of ways: from classical dialogue to image-only introspection, passing by direct interrogation of imaginary characters., in its wider sense, is one of the main themes of the series, not only as opposed to loneliness, but also as a subject in itself. Writer Konaka said he wanted to directly 'communicate human feelings'.
Director Nakamura wanted to show the audience — and particularly viewers between 14 and 15 — 'the multidimensional wavelength of the: the relationship between self and the world'., if only as representing a lack of communication, is recurrent through Lain. Lain herself (according to Anime Jump) is 'almost painfully introverted with no friends to speak of at school, a snotty, condescending sister, a strangely apathetic mother, and a father who seems to want to care but is just too damn busy to give her much of his time'. Friendships turn on the first rumor; and the only insert song of the series is named Kodoku no shigunaru, literally 'signal of loneliness'. Lain's neighborhood.
The 'blood pools' represent the Wired's presence 'beneath the surface' of reality. Serial Experiments Lain was first broadcast in at 1:15 a.m. The word 'weird' appears almost systematically in English language reviews of the series, or the alternatives 'bizarre', and 'atypical', due mostly to the freedoms taken with the animation and its unusual science fiction themes, and due to its philosophical and psychological context. Critics responded positively to these thematic and stylistic characteristics, and it was awarded an Excellence Prize by the 1998 for 'its willingness to question the meaning of contemporary life' and the 'extraordinarily philosophical and deep questions' it asks. According to Christian Nutt from, the main attraction to the series is its keen view on 'the interlocking problems of identity and technology'.
Nutt saluted Abe's 'crisp, clean character design' and the 'perfect soundtrack' in his 2005 review of series, saying that ' Serial Experiments Lain might not yet be considered a true classic, but it's a fascinating evolutionary leap that helped change the future of anime.' Anime Jump gave it 4.5/5, and Anime on DVD gave it A+ on all criteria for volume 1 and 2, and a mix of A and A+ for volume 3 and 4.
Lain was subject to commentary in the literary and academic worlds. The Asian Horror Encyclopedia calls it 'an outstanding psycho-horror anime about the psychic and spiritual influence of the Internet'. It notes that the red spots present in all the shadows look like blood pools (see picture). It notes the death of a girl in a train accident is 'a source of much ghost lore in the twentieth century', more so in Tokyo.
The Anime Essentials anthology by describes it as a 'complex and somehow existential' anime that 'pushed the envelope' of anime diversity in the 1990s, alongside the much better known and. Professor, in her 2003 reading to the called The Problem of Existence in Japanese Animation (published 2005), compared Serial Experiments Lain to and 's. According to her, the main characters of the two other works cross barriers; they can cross back to our world, but Lain cannot. Napier asks whether there is something to which Lain should return, 'between an empty 'real' and a dark 'virtual'. Mike Toole of named Serial Experiments Lain as one of the most important anime of the 1990s.
Unlike the anime, the video game drew little attention from the public. Criticized for its (lack of) gameplay, as well as for its 'clunky interface', interminable dialogues, absence of music and very long loading times, it was nonetheless remarked for its (at the time) remarkable CG graphics, and its beautiful backgrounds. Despite the positive feedback the television series had received, Anime Academy gave this series a 75%, partly due to the 'lifeless' setting it had. Michael Poirier of EX magazine stated that the last three episodes fail to resolve the questions in other DVD volumes.
Justin Sevakis of Anime News Network noted that the English dub was decent, but that the show relied so little on dialogue that it hardly mattered. See also. Notes and references.
Lain's custom computer features holographic displays and liquid carbon dioxide cooling. (and ), and his, and are cited as precursors to the Wired. And his book were originally to be cited as such, and in Lain Cyberia became the name of a nightclub populated with hackers and techno-punk teenagers. Likewise, the series' lies in the conjunction of the and 's (the authors chose this term over and ). And the are used as examples of how a hoax might still affect history, even after having been exposed as such, by creating sub-cultures. This links again to Vannevar Bush, the alleged 'brains' of MJ12. Two of the literary references in Lain are quoted through Lain's father: he first logs onto a website with the password 'Think Bule Count One Tow' (' is an story featuring virtual persons projected as real ones in people's minds); and his saying that ' would be good with the tea' in the last episode makes Lain 'perhaps the only cartoon to allude to '.
Character design. ABe came up with Lain's hair by imagining Lain cutting it herself and making a ponytail of what was left.
This was later included in his Omnipresence in the Wired artbook. Confesses to have never read manga as a child, as it was 'off-limits' in his household. His major influences are 'nature and everything around him'. Specifically speaking about Lain's character, ABe was inspired by, and.
Serial Experiments Lain Explained
In a broader view, he has been influenced in his style and technique by Japanese artists Chinai-san and Tabuchi-san. The character design of Lain was not ABe's sole responsibility. Her distinctive left forelock for instance was a demand from Yasuyuki Ueda. The goal was to produce asymmetry to reflect Lain's unstable and disconcerting nature. It was designed as a mystical symbol, as it is supposed to prevent voices and spirits from being heard by the left ear. The bear pajamas she wears were a demand from director Takahiro Kishida. Though bears are a trademark of the Konaka brothers, Chiaki Konaka first opposed the idea.
Director Nakamura then explained how the bear motif could be used as a shield for confrontations with her family. It is a key element of the design of the shy 'real world' Lain ( see 'mental illness' under ). When she first goes to the Cyberia, she wears a bear hat for similar reasons. The pajamas were finally considered as possible by Konaka, in the way they enhance Lain's aspect. ABe's original design was generally more complicated than what finally appeared on screen. As an example, the X-shaped hairclip was to be an interlocking pattern of gold links.
The links would open with a snap, or rotate around an axis until the moment the ' X ' became a ' = '. This was not used as there is no scene where Lain takes her hairclip off. Themes Serial Experiments Lain is not a conventionally linear story, but 'an alternative anime, with modern themes and realization'. Themes range from theological to psychological and are dealt with in a number of ways: from classical dialogue to image-only introspection, passing by direct interrogation of imaginary characters., in its wider sense, is one of the main themes of the series, not only as opposed to loneliness, but also as a subject in itself. Writer Konaka said he wanted to directly 'communicate human feelings'. Director Nakamura wanted to show the audience — and particularly viewers between 14 and 15 — 'the multidimensional wavelength of the: the relationship between self and the world'., if only as representing a lack of communication, is recurrent through Lain.
Lain herself (according to Anime Jump) is 'almost painfully introverted with no friends to speak of at school, a snotty, condescending sister, a strangely apathetic mother, and a father who seems to want to care but is just too damn busy to give her much of his time'. Friendships turn on the first rumor; and the only insert song of the series is named Kodoku no shigunaru, literally 'signal of loneliness'. Lain's neighborhood.
The 'blood pools' represent the Wired's presence 'beneath the surface' of reality. Serial Experiments Lain was first broadcast in at 1:15 a.m. The word 'weird' appears almost systematically in English language reviews of the series, or the alternatives 'bizarre', and 'atypical', due mostly to the freedoms taken with the animation and its unusual science fiction themes, and due to its philosophical and psychological context. Critics responded positively to these thematic and stylistic characteristics, and it was awarded an Excellence Prize by the 1998 for 'its willingness to question the meaning of contemporary life' and the 'extraordinarily philosophical and deep questions' it asks. According to Christian Nutt from, the main attraction to the series is its keen view on 'the interlocking problems of identity and technology'. Nutt saluted Abe's 'crisp, clean character design' and the 'perfect soundtrack' in his 2005 review of series, saying that ' Serial Experiments Lain might not yet be considered a true classic, but it's a fascinating evolutionary leap that helped change the future of anime.'
Anime Jump gave it 4.5/5, and Anime on DVD gave it A+ on all criteria for volume 1 and 2, and a mix of A and A+ for volume 3 and 4. Lain was subject to commentary in the literary and academic worlds.
The Asian Horror Encyclopedia calls it 'an outstanding psycho-horror anime about the psychic and spiritual influence of the Internet'. It notes that the red spots present in all the shadows look like blood pools (see picture). It notes the death of a girl in a train accident is 'a source of much ghost lore in the twentieth century', more so in Tokyo. The Anime Essentials anthology by describes it as a 'complex and somehow existential' anime that 'pushed the envelope' of anime diversity in the 1990s, alongside the much better known and. Professor, in her 2003 reading to the called The Problem of Existence in Japanese Animation (published 2005), compared Serial Experiments Lain to and 's. According to her, the main characters of the two other works cross barriers; they can cross back to our world, but Lain cannot. Napier asks whether there is something to which Lain should return, 'between an empty 'real' and a dark 'virtual'.
Mike Toole of named Serial Experiments Lain as one of the most important anime of the 1990s. Unlike the anime, the video game drew little attention from the public. Criticized for its (lack of) gameplay, as well as for its 'clunky interface', interminable dialogues, absence of music and very long loading times, it was nonetheless remarked for its (at the time) remarkable CG graphics, and its beautiful backgrounds.
Despite the positive feedback the television series had received, Anime Academy gave this series a 75%, partly due to the 'lifeless' setting it had. Michael Poirier of EX magazine stated that the last three episodes fail to resolve the questions in other DVD volumes. Justin Sevakis of Anime News Network noted that the English dub was decent, but that the show relied so little on dialogue that it hardly mattered. See also.
Notes and references.
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